Visperad[pronunciation?] or
Visprad is either a particular
Zoroastrian religious ceremony or the name given to a passage collection within the greater
Avesta compendium of texts.
The Visperad ceremony "consists of the rituals of the
Yasna, virtually unchanged, but with a
liturgy extended by twenty-three
[a] supplementary sections."
[1] These supplementary sections (
kardag) are then – from a philological perspective – the passages that make up the Visperad collection. The standard abbreviation for
Visperad chapter-verse pointers is
Vr., though
Vsp. may also appear in older sources.
The name
Visperad is a contraction of
Avestan vispe ratavo,
[b] with an ambiguous meaning. Subject to how
ratu is translated,
[c] vispe ratavo may be translated as "(prayer to) all patrons"
[2] or "all masters"
[1] or the older and today less common "all chiefs."
[3] or "all lords."
The Visperad ceremony – in medieval Zoroastrian texts referred to as the
Jesht-i Visperad,
[4] that is, "Worship through praise (Yasht) of all the patrons," – developed
[d] as an "extended service" for celebrating the
gahambars,
[4] the high
Zoroastrian festivals that celebrate six season(al) events. As seasonal ("year cycle") festivals, the
gahambars are dedicated to the
Amesha Spentas, the divinites that are in tradition identified with specific aspects of creation, and through whom Ahura Mazda realized ("with his thought") creation. These "bounteous immortals" (
amesha spentas) are the "all patrons" – the
vispe ratavo – who apportion the bounty of creation. However, the Visperad ceremony itself is dedicated to
Ahura Mazda, the
ratūm berezem "high Master."
[4]
The
Visperad collection has no unity of its own, and is never recited separately from the Yasna. During a recital of the Visperad ceremony, the
Visperad sections are not recited
en bloc but are instead interleaved into the Yasna recital.
[5] The
Visperad itself exalts several texts of the
Yasna collection, including the
Ahuna Vairya and the
Airyaman ishya, the
Gathas, and the
Yasna Haptanghaiti (
Visperad 13-16, 18-21, 23-24
[6]) Unlike in a regular
Yasna recital, the
Yasna Haptanghaiti is recited a second time between the 4th and 5th Gatha (the first time between the 1st and 2nd as in a standard
Yasna). This second recitation is performed by the assistant priest (the
raspi), and is often slower and more melodious.
[5] In contrast to
barsom bundle of a regular Yasna, which has 21 rods (
tae), the one used in a Visperad service has 35 rods.
The Visperad is only performed in the
Havan Gah – between sunrise and noon – on the six
gahambar days.
[4]
Amongst Iranian Zoroastrians, for whom the seasonal festivals have a greater significance than for their Indian co-religionists
[citation needed], the Visperad ceremony has undergone significant modifications in the 20th century.
[7] The ritual – which is technically an "inner" one requiring
ritual purity – is instead celebrated as an "outer" ritual where ritual purity is not a requirement. Often there is only one priest instead of the two that are actually required, and the priests sit at a table with only a lamp or candle representing the fire, so avoiding accusations of "fire worship."
[e][8]