Lucius Livius Andronicus (c. 284 – c. 205 BC)[1] was a Greco-Roman dramatist and epic poet of the Old Latin period. He began as an educator in the service of a noble family at Rome by translating Greek works into Latin, including Homer's Odyssey.[2] They were meant at first as educational devices in the school he founded. He wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language of ancient Rome. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata (fabula palliata). The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius (referring to their genre, not their ethnic backgrounds).[3] The genre was imitated by the next dramatists to follow in Andronicus' footsteps and on that account he is regarded as the father of Roman drama and of Latin literature in general; that is, he was the first man of letters to write in Latin.[4] Varro, Cicero, and Horace, all men of letters during the subsequent Classical Latin period, considered Livius Andronicus to have been the originator of Latin literature. He is the earliest Roman poet whose name is known.[5]Sunday, June 4, 2017
300 BC-Livius Andronicus
Lucius Livius Andronicus (c. 284 – c. 205 BC)[1] was a Greco-Roman dramatist and epic poet of the Old Latin period. He began as an educator in the service of a noble family at Rome by translating Greek works into Latin, including Homer's Odyssey.[2] They were meant at first as educational devices in the school he founded. He wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language of ancient Rome. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata (fabula palliata). The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius (referring to their genre, not their ethnic backgrounds).[3] The genre was imitated by the next dramatists to follow in Andronicus' footsteps and on that account he is regarded as the father of Roman drama and of Latin literature in general; that is, he was the first man of letters to write in Latin.[4] Varro, Cicero, and Horace, all men of letters during the subsequent Classical Latin period, considered Livius Andronicus to have been the originator of Latin literature. He is the earliest Roman poet whose name is known.[5]
Friday, June 2, 2017
300 BC-Theocritus
Theocritus (/θiːˈɒkrɪtəs/; Greek: Θεόκριτος, Theokritos; fl. c. 270 BC), the creator of ancient Greek bucolicpoetry, flourished in the 3rd century BC.Life
Little is known of Theocritus beyond what can be inferred from his writings. We must, however, handle these with some caution, since some of the poems (Idylls; Εἰδύλλια) commonly attributed to him have little claim to authenticity. It is clear that at a very early date two collections were made: one consisting of poems whose authorship was doubtful yet formed a corpus of bucolic poetry, the other a strict collection of those works considered to have been composed by Theocritus himself. [1]
Theocritus was from Sicily, as he refers to Polyphemus, the cyclops in the Odyssey, as his "countryman." He also probably lived in Alexandria for a while, where he wrote about everyday life, notably Pharmakeutria. It is also speculated that Theocritus was born in Syracuse, lived on the island of Kos, and lived in Egypt during the time of Ptolemy II.
The record of these recensions is preserved by two epigrams, one of which proceeds from Artemidorus of Tarsus, a grammarian, who lived in the time of Sulla and is said to have been the first editor of these poems. He says, "Bucolic muses, once were ye scattered, but now one byre, one herd is yours." The second epigram is anonymous, and runs as follows: "The Chian is another. I, Theocritus, who wrote these songs, am of Syracuse, a man of the people, the son of Praxagoras and famed Philina. I never sought after a strange muse." The last line may mean that he wrote nothing but bucolic poems, or that he only wrote in Doric. The assertion that he was from Syracuse appears to be upheld by allusions in the Idylls (7.7, 28.16–18).[1]
The information concerning his parentage bears the stamp of genuineness, and disposes of a rival theory based upon a misinterpretation of Idyll 7—which made him the son of one Simichus. A larger collection, possibly more extensive than that of Artemidorus, and including poems of doubtful authenticity, was known to the author of the Suda, who says: "Theocritus wrote the so-called bucolic poems in the Doric dialect. Some persons also attribute to him the following: Daughters of Proetus, Hopes, Hymns, Heroines, Dirges, Lyrics, Elegies, Iambics, Epigrams."[1]
The first of these may have been known to Virgil, who refers to the Proetides at Eclogue 6.48. The spurious poem 21 may have been one of the Hopes, and poem 26 may have been one of the Heroines; elegiacs are found in 8.33—60, and the spurious epitaph on Bion may have been one of the Dirges. The other classes are all represented in the larger collection which has come down to us.[1]
Thursday, June 1, 2017
300 BC-Manetho and the AEGYPTIACA
Manetho (/ˈmænᵻθoʊ/; Greek: Μανέθων, Manethōn, or Μανέθως, Manethōs) is believed to have been an Egyptian priest from Sebennytus (ancient Egyptian: Tjebnutjer) who lived during the Ptolemaic era in the early 3rd century BC.Name[edit]
The original Egyptian version of Manetho's name is lost to us, but some speculate it means "Gift of Thoth", "Beloved of Thoth", "Truth of Thoth", "Beloved of Neith", or "Lover of Neith".[1] Less accepted proposals are Myinyu-heter ("Horseherd" or "Groom") and Ma'ani-Djehuti ("I have seen Thoth"). In the Greek language, the earliest fragments (the inscription of uncertain date on the base of a marble bust from the temple of Serapis at Carthage[2] and the Jewish historian Flavius Josephus of the 1st century AD) write his name as Μανέθων Manethōn, so the Latinised rendering of his name here is given as Manetho (the same way that Platōn is rendered "Plato"). Other Greek renderings include Manethōs, Manethō, Manethos, Manēthōs, Manēthōn, and even Manethōth. In Latin we find Manethon, Manethos, Manethonus, and Manetos.
Wednesday, May 31, 2017
300 BC-Callimachus
Callimachus (/kæˈlɪməkəs/; Greek: Καλλίμαχος, Kallimakhos; 310/305–240 BC[1]) was a native of the Greek colony of Cyrene, Libya.[2] He was a noted poet, critic and scholar at the Library of Alexandria and enjoyed the patronage of the Egyptian–Greek Pharaohs Ptolemy II Philadelphus[3] and Ptolemy III Euergetes. Although he was never made chief librarian, he was responsible for producing a bibliographic survey based upon the contents of the Library. This, his Pinakes, 120 volumes long,[4] provided the foundation for later work on the history of ancient Greek literature. As one of the earliest critic-poets, he typifies Hellenistic scholarship.
Tuesday, May 30, 2017
300 BC-Apollonius of Rhodes ---Argonautica
Apollonius of Rhodes (Ancient Greek: Ἀπολλώνιος Ῥόδιος Apollṓnios Rhódios; Latin: Apollonius Rhodius; fl. first half of 3rd century BCE), is best known as the author of the Argonautica, an epic poem about Jason and the Argonauts and their quest for the Golden Fleece. The poem is one of the few extant examples of the epic genre and it was both innovative and influential, providing Ptolemaic Egypt with a "cultural mnemonic" or national "archive of images",[1] and offering the Latin poets Virgil and Gaius Valerius Flaccus a model for their own epics. His other poems, which survive only in small fragments, concerned the beginnings or foundations of cities, such as Alexandria and Cnidus – places of interest to the Ptolemies, whom he served as a scholar and librarian at the Library of Alexandria. A literary dispute with Callimachus, another Alexandrian librarian/poet, is a topic much discussed by modern scholars since it is thought to give some insight into their poetry, although there is very little evidence that there ever was such a dispute between the two men. In fact almost nothing at all is known about Apollonius and even his connection with Rhodes is a matter for speculation.[2] Once considered a mere imitator of Homer, and therefore a failure as a poet, his reputation has been enhanced by recent studies, with an emphasis on the special characteristics of Hellenistic poets as scholarly heirs of a long literary tradition writing at a unique time in history.[3]
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The Argonautica (Greek: Ἀργοναυτικά Argonautika) is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. The only surviving Hellenistic epic, the Argonautica tells the myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from remote Colchis. Their heroic adventures and Jason's relationship with the dangerous Colchian princess/sorceress Medea were already well known to Hellenistic audiences, which enabled Apollonius to go beyond a simple narrative, giving it a scholarly emphasis suitable to the times. It was the age of the great Library of Alexandria, and his epic incorporates his researches in geography, ethnography, comparative religion, and Homeric literature. However, his main contribution to the epic tradition lies in his development of the love between hero and heroine – he seems to have been the first narrative poet to study "the pathology of love".[3] His Argonautica had a profound impact on Latin poetry: it was translated by Varro Atacinus and imitated by Valerius Flaccus; it influenced Catullus and Ovid; and it provided Virgil with a model for his Roman epic, the Aeneid.[4]
Tuesday, May 23, 2017
300 BC-Ecclesiastes
Ecclesiastes (/ᵻˌkliːziˈæstiːz/; Greek: Ἐκκλησιαστής, Ekklēsiastēs, Hebrew: קֹהֶלֶת, qōheleṯ) is one of 24 books of the Tanakh or Hebrew Bible, where it is classified as one of the Ketuvim (or "Writings"). It is among the canonical Wisdom Books in the Old Testament of most denominations of Christianity. The title Ecclesiastes is a Latin transliteration of the Greek translation of the Hebrew Kohelet (meaning "Gatherer", but traditionally translated as "Teacher" or "Preacher"[1]), the pseudonym used by the author of the book.
The book dates from c.450–180 BC and is from the Middle Eastern tradition of the mythical autobiography, in which a character, describing himself as a king, relates his experiences and draws lessons from them, often self-critical. The author, introducing himself as "son of David, king in Jerusalem" (i.e., Solomon) discusses the meaning of life and the best way to live. He proclaims all the actions of man to be inherently hevel, meaning "vain" or "futile", ("mere breath"), as both wise and foolish end in death. Kohelet clearly endorses wisdom as a means for a well-lived earthly life. In light of this senselessness, one should enjoy the simple pleasures of daily life, such as eating, drinking, and taking enjoyment in one's work, which are gifts from the hand of God. The book concludes with the injunction: "Fear God, and keep his commandments; for that is the whole duty of everyone" (12:13).
Ecclesiastes has had a deep influence on Western literature. It contains several phrases that have resonated in British and American culture, and was quoted by Abraham Lincoln addressing Congress in 1862. American novelist Thomas Wolfe wrote: "[O]f all I have ever seen or learned, that book seems to me the noblest, the wisest, and the most powerful expression of man's life upon this earth—and also the highest flower of poetry, eloquence, and truth. I am not given to dogmatic judgments in the matter of literary creation, but if I had to make one I could say that Ecclesiastes is the greatest single piece of writing I have ever known, and the wisdom expressed in it the most lasting and profound."[2]
Monday, May 22, 2017
300 BC-Tolkāppiyam
The Tolkāppiyam (Tamil: தொல்காப்பியம்) is a work on the grammar of the Tamil language and the earliest extant work of Tamil literature[1] and linguistics. It is written in the form of noorpaa or short formulaic compositions and comprises three books – the Ezhuttadikaram, the Solladikaram and the Poruladikaram. Each of these books is further divided into nine chapters each. While the exact date of the work is not known, based on linguistic and other evidence, it has been dated variously between the third century BCE and the 10th century CE. Some modern scholars prefer to date it not as a single entity but in parts or layers.[2] There is also no firm evidence to assign the authorship of this treatise to any one author.
Tolkappiyam deals with orthography, phonology, morphology, semantics, prosody and the subject matter of literature. The Tolkāppiyam classifies the Tamil language into sentamil and koduntamil. The former refers to the classical Tamil used almost exclusively in literary works and the latter refers to the dialectal Tamil, spoken by the people in the various regions of ancient Tamilagam.[3]
Tolkappiyam categorises alphabet into consonants and vowels by analysing the syllables. It grammatises the use of words and syntaxes and moves into higher modes of language analysis. The Tolkāppiyam formulated thirty phonemes and three dependent sounds for Tamil.
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